Crafts Construction
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Golden Collars. Santa Fe Opera
Collaboration with Candice Day. 
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Millinery Wire wrapped with gold ribbon.
Set of Five: Two of Lace and Organza, Three of Milliner's Net, Tule, and Organza Layers sewn together prior to wire attachment. |
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Hand-sewn to wire frame, Organza Flank attached around collar.
(Performer below has been documented with the Collar on upside down) 
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Appliqués and medallions added later.
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Trick Epaulets, Santa Fe Opera
Collaboration with Judith M. Craigo-Robb 
Magnets cased inside Epaulet base and Decorative White.
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Decorative Top switched on stage from the Performer in the left image on the left, to the Performer in the right picture of the left.
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Switch indicates a status change.
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The Goat detailing. Dickinson College.
Collaborative construction with Sherry Harper-McCombs and Juli Bounds. 
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Teeth molded of Sculpey and painted.
Inserted into gum with hot glue, painted. Tongue made of Padding Foam and covered with painted fabric. Tip of tongue weighted for movement. 
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Hoof covered with Sculptor-coat and cracked for texture.
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Distressed with Acrylic Paint.
Throat-slit filled with Hot Glue to matt the hair and give texture. Painted during distressing. Actor's on-stage blood gave added distressing during the show. |
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Teeth molded out of Air-Puff clay, and painted
Secured into place with Gorilla Glue. On-stage view of the Crocodile » |
The Crocodile Teeth, Greenbrier Valley Theater
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Three Dimensional Patterning Technique: created off of existing object or created object.
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Buttons for the Clown, Santa Fe Opera
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Object wrapped and marked.
Wrapping cut off of object, darts created as necessary. Pattern created in show fabric. |
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